Tag: album review
-
gaye su akyol – anadolu ejderi
On her maximalist fourth album, Gaye Su Akyol again makes expressive use of the burnt tremor in her voice, this time singing directly to Istanbul. Through its baroque psych-rock, the record blazes through its themes without deference to taste and/or accessibility. This is certainly Akyol’s most anti-pop album to date, as she takes the scenic […]
-
lee clarke – genes
I have a system of analysis for beat tapes: imagine playing them over a five second YouTube ad for gym supplements, or a loading screen for a hotel lobby TV. If you can describe the music as ‘appropriately neutral, wholly inoffensive, and almost insultingly innocuous’ above the visual aid, then it has failed. A fair […]
-
fievel is glauque – flaming swords
We never entirely trust the ostensible positivity of Flaming Swords. It’s a disarming album of very smooth jazz, which it then cuts up into unpredictable, coltish motions. The septet have an infectious sense of play that – forgive the middle-class dad analysis – the French do very well. Fievel is Glauque succeed less in producing […]
-
glenn branca – the ascension (1981)
“The only reason why I ever even bother to pay the slightest attention to this fucking world is because I love music.” – G.B Few records will ever ask as many questions about rock or life as Glenn Branca’s The Ascension. In Branco’s 1981, the art world had fossilised and underground ideas were at risk […]
-
the human expression – love at psychedelic velocity (recorded 1966-67/released in 1994)
LA has its own unique psychedelic environment which can be seen today through the surreal lives of influencers and those scratching at the door of hot, empty fame. But in the mid-1960s, there was a genuine fascination for where the mental boundary was and how it could be snapped in two. The Human Expression never […]