Category: singer-songwriter
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weyes blood – and in the darkness, hearts aglow
Weyes Blood began life as a DIY, acoustic venture, where Natalie Mering’s voice fluttered above a sound collage of tape recorders, saws, bells, and whistles. This is Natalie’s fifth album performing under the moniker. The opener could be on a spacier version of Bowie’s Station to Station: it’s not just that well-produced, it’s that sweeping. […]
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elliott smith – either/or (1997)
Elliott Smith packed more melody into a double-tracked whisper than would be expected in a Glee cover of Mariah Carey. He can also say ‘fuck’ with more power than any outlandish, testosterone-steaming ‘rockstar’. Either/Or is like the shadow of a pop hit—Brian Wilson might have written it if he spent the 1960s leaning musically into […]
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ana moura – casa guilhermina
‘Janela Escancarada’ is a gorgeous opener. It captures and bottles the dreamlike state of mind Ana Moura has slipped into. Despite her melancholia, Moura is careful not to detach. Her music anchors itself to the port of tradition while embracing new world musical goods: the vocal “yee-hees” above an accordion on ‘Andorinhas’ are indelible. In […]
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linda perhacs – parallelograms (1970)
It’s tempting to draw on some familiar names to help convey this record, but I’ll resist. That might validate the fact that Parallelograms went practically unheard until its 2003 reissue. It is a unique album, from a unique composer. The wistfulness is in tune with a woodland Aesop fable, but Perhacs’ folk isn’t a sun-glazed frolic […]
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benjamin clementine – and i have been
Familiarising his eccentric spirit, Benjamin Clementine has produced a big-hearted record that swoops down to greet the listener. It is still unpredictable, but the force conducting ‘And I Have Been’ is benevolent—more like a guide than some epistemically distant energy. Clementine has a deep, timeless presence in his work. Here, he seems to connect history […]
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