This is one of the emptiest statements either Fred again.. or Brian Eno will ever make.

This is one of the emptiest statements either Fred again.. or Brian Eno will ever make.
A chic rom-com with the lyrical posture of Morrissey and the humour of Father John Misty.
‘Love For the Underdog’ is so cohesive and well-considered it almost has its own philosophy.
‘Licensed To Ill’ is cringeworthy, abrasive, and grotesquely enjoyable.
Psychedelia is always at risk of either getting lost in the abstract or enclosing itself in a single mind.
EBTG’s themes of desperation and recovery peak in the more dynamic second-half.
This is a pitch-perfect, diaphragm-clearing exhale of love.
The writing hits like an inner monologue down a small-town street: heel taps, lamp-swings, and finger clicks.
Jackson’s deep presence through the unevenly built tracklist mirrors the process of living through love and loss.